PROJECTS & INITIATIVES
Native Futures Focused
‘Āina requires continual regeneration. We advocate for organizations to appreciate and invest in the physical quality of Native built environments (‘āina), as they serve as significant protective factors that enhance the overall wellbeing of Hawaiian communities.
We perceive the built environment as a living physical entity that reflects the intellect and wellbeing of its place and inhabitants, whether human or not. This epistemological approach includes the physical settings of land, ocean, and sky, as well as people, creatures, ancestors, and spirits.
Regrettably, the existing conditions of Setteler built environment in Hawai‘i greatly deviates from this vision. Years of colonialism and militarization have interrupted human relationships between place and sustenance, resulting in ecological devastation and racial injustices. Setteler built environments have been actively built and used to dispossessed Indigenous of their lands and cultural heritage, today still under constant threat.
Our understanding of the built environment advocates for a paradigm shift towards viewing ‘āina as a holographic system of sustenance. We approach our projects and initiatives about Native built environments carefully through at least three areas of interest and consideration:
Recovering Places of Sustenance: Restoring Indigenous fish ponds, taro fields, and other physical sites that have been neglected or erased.
Supporting Indigenous Building and Construction Practices: Advancing the presence of native craft, material technique, and cultural practice in the design and care of the built environment, from buildings to infrastructure, from stream to watershed.
Protecting Transformation in Place: Advocating and safeguarding projects about reclaiming places for ceremony and observation amid resisting forces of industry or market demand projects that impose on the ability for communities to create authentic ‘āina.
CURRENT PROJECTS
‘ĀINAVIS Built Environments Intensive
Hawai‘i Nonlinear is in the process of identifying metrics for understanding and measuring the concept of success in Native built environments. As such, we are in the process of seeking support to organize a cohort-based fellowship program via our newly designed (but still in development) inagural program, ʻĀINAVIS Intensive—an artist-driven experimental mapping concept to acknowledge the physical wellbeing of ‘āina (that which feeds) across Pae ‘Āina Hawai‘i (Hawaiian Islands). Short for ‘āina-vision, ‘ĀINAVIS is interested in hearing about the stories and achievements of people and ‘āina dedicated to protecting Hawai‘i's built environment as the source of sustenance.
Because we are often dealing most with communities in rural and decolonial settings, our strategy requires us to reach beyond the limitations of typical surveys. The ʻĀINAVIS Built Environments Intensive will focus on a conversational and participatory method and aims to organize a carefully selected cohort of groups and organizations dedicated to the recovery of ‘Āina interested to engage in comprehensive dialogue about their work and practice in ‘Āina as a protective factor of wellbeing as also an immensely physical experience with real physical requirements pertaining to the quality of our built environment.
Our selected intensive cohort will organize a group willing to address long-term inequities embedded in the built environment of Hawai‘i. We anticipate that our intensive will best serve individuals working in ‘Āina from diverse fields such as art, activism, archeology, design, humanities, performance, and preservation, who have a deep commitment to sercure Native futures in Hawai‘i's built environment.
Through this program, we aim to learn from the challenges and successes faced by our fellows in the built environment. Our goal is to facilitate discussions about the impact of the built environment upon ‘āina, and well as discuss examples of how ‘āina as themselves built environments can benefit from better design and investments in their built environment to further their mission for ‘āina work. Working with a dialogue-based process, our fellows work collaboratively to create metrics for understanding how we can identify and measure success in the built environment of Hawai‘i. This approach allows us to develop a comprehensive understanding of how our organization and impact can develop and grow over time.
VISIT THE ‘ĀINAVIS PROJECT WEBSITE ︎︎︎
ONGOING INITIATIVES
The metamorphosis of our built environment involves a wide range of specialized professional services, from architecture and landscape architecture to planning, construction, and maintenance. These services are not merely key to creating functional and aesthetically appealing spaces, shelters, and infrastructures, but they also play a pivotal role in shaping the health and wellbeing of our communities. The professionals in these fields are often artists and practioners also operating as licensed experts who should neither be overlooked nor underfunded.
Unfortunately, architecture and landscape architecture professionals, among others, often find themselves marginalized or undervalued, a stark contrast to healthcare professionals, attorneys, or social workers who are deeply involved in ‘āina work. As a consequence, access to built environment experts—licensed architects, landscape architects, and planners committed to genealogical and radically decolonial responsibilities towards ‘āina—is limited, creating a significant challenge. It's not rare for organizations working with ‘āina to rely on pro bono services from design firms that simultaneously contract with settler colonial entities that undermine ‘āina. This situation is untenable, and we firmly believe that ‘āina work merits more than services offered merely to offset taxes accrued from settler colonial contracts.
To tackle this issue, we are in the process of developing several initiatives that focus on deep systems change that embody our steadfast commitment to reviving, promoting, safeguarding, and securing ‘āina within our built environment. By putting the needs of the ‘āina and the communities that inhabit it at the forefront, we aim to cultivate a built environment that is more equitable, just, and sustainable.
3 + year timeline
Native Hawaiian Pacific Islander
National Endowment for Design Education
This initiative proposes an endowment to establish a visiting professorship for Native Hawaiian and Pacific Islander (NHPI) design practitioners at leading architecture schools such as Harvard University Graduate School of Design, MIT, and Columbia University. By establishing this endowment, we anticipate enhancing the supply of qualified NHPI design educators for programs like the University of Hawai‘i and other local initiatives.
As highlighted by an ACSA study, in a representative sample of 800 faculty members from NAAB-accredited schools of architecture, only one would be a Native Hawaiian or Pacific Islander. Remarkably, the University of Hawai‘i School of Architecture, positioned at the forefront of future NHPI architects, has no full-time NHPI faculty, citing a scarcity of applicants with teaching experience. This endowment aims to address this issue and cultivate an experienced intellectual community of NHPI designers qualified to teach architecture and landscape architecture in Hawai‘i.
Additionally, the endowment plans to assist NHPI design students with scholarships and research associate positions. As per an ACSA study, only 27% of NAAB-accredited schools have one or more NHPI students, and a mere 9% have two or more, underscoring the need for this endowment. This endowment, dedicated to the memory of Theodore A. Vierra, the first Native Hawaiian architect accepted into the AIA, is planned to be launched to commemorate the 100-year anniversary of his historic recognition.
6 + year timeline
Ala Wai Memorial Project
The Ala Wai Memorial Project seeks to revitalize 350 acres of existing open space in Waikīkī, from forest to the canal, including the public transformation of a municipal golf course and portions of the Fort DeRussy Military Reservation into land for Native sustenance. This monumental task involves reimagining how Hawai‘i History is integrated into some of Honolulu’s most prominent civic spaces, including various existing resources such as a small boat harbor, a canoe club, a regional park system, and a historic outdoor amphitheater all physically connected to the contentions regional construction of the famed Waikīkī Beach; Diamond Head State Monument; National Memorial Cemetery of the Pacific at Punchbowl via the channelized tributaries of Maikiki Stream; selected schools and universities in the Ala Wai watershed; and the O‘ahu military seacoast defense fortification that stretched around the island from Waikīkī to Kahuku.
See Initiative Website ︎︎︎
10+ year timeline
Hawai‘i Nonlinear School for Design and Built Environments
HAWAI‘I NONLINEAR's endeavors to boost the accessibility and quality of NHPI participation in design extends beyond the transformation of existing institutions. While we strive to establish benchmarks for understanding and measuring the success of ‘āina built environments, and to nurture a community of NHPI designers ready to work and teach, we also aim to create a second school for architecture, design, and planning in Hawai‘i. This objective is being pursued via the proposed HNL Schools, a community-centered architecture school in Honolulu.
Initially supporting our fellowship program, HNL Schools is envisaged to grow and serve as a second architecture school in Hawai‘i, complete with its own physical space. As the program matures into an established institution, HNL Schools will also act as a landowner and developer of ‘āina built environments. By actively contributing to its mission to transform design for ‘āina, HNL Schools will offer the community more choices and improved access to architectural education dedicated to ‘āina.
︎︎︎ RETURN
Organization Bio
HAWAI‘I NONLINEAR is a Hawai‘i-based 501(c)(3) tax-exempt organization.
TIMELINE
The organization builds upon a decade-long public new media art project and social practice originally launched in 2010, as a community new media web project, known as HAWAI‘I FUTURES, initiated by Hawai‘i artist Sean Connelly.
Between 2015-2021, Connelly inaugurated the ongoing Hawai‘i Futures Studio as a conceptual public art project and architecture school program that provided external noninstitutional realworld community organizing concepts for realworld architecture studios at Harvard University, University of Hawai‘i, Columbia University, and MIT.
In 2021, Hawai‘i Nonlinear was established as a nonprofit in collaboration between Sean Connelly (After Oceanic) and Dominic Leong (Leong Leong). The organization was created to support grassroots, intergenerational transformations in Hawai‘i’s built environment, transforming from a state of degradation to one that perpetuates ‘āina systems of sustenance.
IMPACT
To date, HAWAI‘I NONLINEAR has been awarded seed funding from the Hawai‘i Leadership Forum in 2021 and has also received technical assistance from the Council for Native Hawaiian Advancement. The establishment of HAWAI‘I NONLINEAR has been recognized by multiple institutions, including Columbia University, Massachusetts Institute of Technology, E-Flux/Guggenheim, Koa Gallery at Kapi‘olani Community College, NMG/Flux Hawai‘i, and MoMA.